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New theory broadens phase transition exploration

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New theory broadens phase transition exploration


New theory broadens phase transition exploration
Extending the Kibble-Zurek mechanism means the theory can be applied more widely in fields such as materials science and cosmology. Credit: Los Alamos National Laboratory

In a paper recently published in Physical Review Letters, Los Alamos National Laboratory researchers offer a new theory that predicts defect density across a variety of phase transitions. The research opens new routes for the exploration of defect formation in fields such as materials science, high-energy physics and cosmology.

“Phase transitions are a part of everyday life as well as fundamental phenomena in high-energy physics, inevitable in the early universe,” said Fumika Suzuki, Los Alamos scientist and lead author on the paper. “Our study demonstrates that, when integrated with nucleation theory, the Kibble-Zurek mechanism proposed for second-order, or continuous, phase transitions can be extended to predict defect formation in a wider range of phase transitions.”

First- and second-order phase transitions

In first-order phase transitions, some parts of a system may enter the new phase before other parts—think of water boiling, with vapor bubbles forming as the water boils away. In second-order transitions, an entire system transitions at once. Systems such as superconductors and charged superfluids can experience second-order phase transitions that under the influence of external parameters (such as temperature or field) can develop first-order characteristics.

The Kibble-Zurek mechanism, co-named for Los Alamos physicist and paper co-author Wojciech Zurek, predicts the density of topological defects formed due to phase transitions, applying originally only to the second-order phase transitions.

But by integrating the Kibble-Zurek mechanism with nucleation theory, which describes the dynamics of symmetry breaking in first-order phase transitions, Suzuki and Zurek could extend the Kibble-Zurek mechanism to predict the density of defects formed in “tunable” phase transitions that combine characteristics of the phase transitions of first and second order.

The team’s theory could be tested, for example, in the Fredericks phase transition in liquid crystals, which can be continuously tuned between first order and second order.

More information:
Fumika Suzuki et al, Topological Defect Formation in a Phase Transition with Tunable Order, Physical Review Letters (2024). DOI: 10.1103/PhysRevLett.132.241601. On arXiv: DOI: 10.48550/arxiv.2312.01259

Citation:
New theory broadens phase transition exploration (2024, June 18)
retrieved 26 June 2024
from https://phys.org/news/2024-06-theory-broadens-phase-transition-exploration.html

This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no
part may be reproduced without the written permission. The content is provided for information purposes only.





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Using fill factors to prevent loss of resolution in bendable video screens

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Using fill factors to prevent loss of resolution in bendable video screens


Using fill factors to prevent loss of resolution in bendable video screens
Photographs of stretchable OLEDs conformally attached to a sphere (left) and cylinder (right) with a radius of 1 cm and photographs of stretchable OLEDs conformally attached to a balloon before (left) and after (right) expansion. All of the operating OLEDs in photographs were driven with a constant current of 1 mA. Credit: Nature Communications (2024). DOI: 10.1038/s41467-024-48396-w

A multi-institutional team of electrical engineers in the Republic of Korea has overcome the problem of resolution degradation when bendable video screens are bent. In their project, reported in the journal Nature Communications, the group added fill factors between OLEDs to retain resolution on bendable screens.

To build bendable video screens, engineers have taken two approaches: developing bendable OLEDs that sit on a bendable background or adding serpentine interconnecting material between non-bendable OLEDs mounted on bendable backgrounds.

Since a method to mass produce bendable OLEDs has proven elusive, device makers have opted for the latter option. The problem with this option is that when the device is bent, the space between the pixels grows wider, revealing a darkness gap between them, resulting in loss of resolution.

In this new effort, the research team found a possible solution—adding super-thin OLEDs between the regular OLEDs that are only seen when the device is bent.

Using fill factors to prevent loss of resolution in bendable video screens
An overview of the proposed high FF stretchable OLED with a hidden active area (HAA). Credit: Nature Communications (2024). DOI: 10.1038/s41467-024-48396-w

To build such a screen, the researchers created a stretchy elastomer and patterned it with traditional square OLEDs. They then added ultra-thin OLEDs to a glass plate and pressed them to the elastomer with the ultra-thin OLEDs situated between the traditional OLEDs.

The light from the fill factors, the team notes, moves outward, but also bounces off the sides of the regular OLEDs, preventing dark gaps. Testing showed that the method improved the geometrical fill factor from 87% to 97% during normal stretching.

The research team acknowledges that their test device had a pixel density of just 11 ppi, whereas commercial devices are typically in the range 300 to 450 ppi. But they suggest that limited testing showed that their approach could be scaled up for both higher ppi and for mass production.

They further suggest that their technique could be used to cover curved surfaces, such as spheres, and down the line, possibly to make wearable electronics.

More information:
Donggyun Lee et al, Stretchable OLEDs based on a hidden active area for high fill factor and resolution compensation, Nature Communications (2024). DOI: 10.1038/s41467-024-48396-w

© 2024 Science X Network

Citation:
Using fill factors to prevent loss of resolution in bendable video screens (2024, June 5)
retrieved 26 June 2024
from https://techxplore.com/news/2024-06-factors-loss-resolution-bendable-video.html

This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no
part may be reproduced without the written permission. The content is provided for information purposes only.





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Major music labels sue AI startups over copyright infringement

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Major music labels sue AI startups over copyright infringement


The work of Michael Buble is among the songs which record companies say have been illegally used by music AI startups Suno and Udio to train their generative AI engines
The work of Michael Buble is among the songs which record companies say have been illegally used by music AI startups Suno and Udio to train their generative AI engines.

Some of the world’s major music labels are suing music generation services Suno and Udio, accusing the startups of violating the copyrights of top artists to train their generative AI engines without permission.

Sony Music Entertainment, Warner Records, Capitol Records and others—who filed the copyright infringement suits on Monday in federal courts in Boston and New York—are seeking damages of up to $150,000 per song or shares of the companies’ profits.

“Unlicensed services like Suno and Udio that claim it’s ‘fair’ to copy an artist‘s life’s work and exploit it for their own profit without consent or pay set back the promise of genuinely innovative AI for us all,” Recording Industry Association of America (RIAA) chief executive Mitch Glazier said in a statement.

Examples cited in the lawsuits included prompts using Suno’s service to churn out songs mimicking copyrighted works of Chuck Berry, James Brown, Michael Buble, ABBA, and others.

Suno and Udio did not respond to requests for comment.

Breaching ownership rights of people’s artistic creations to train generative AI models has been a flashpoint as the technology races to become more capable and, ultimately, more profitable.

The two lawsuits, one against each company, center on generative AI services that allow people to make songs using basic prompts.

Suno and Udio have been evasive about how they train their AI models, saying that is a guarded secret, according to the complaints.

Music publishers are collaborating with “responsible developers” to build AI tools that respect the works of artists, according to the head of the RIAA, which announced the lawsuits.

“Real music comes from real life and real people,” Black Music Action Coalition chief executive Willie “Prophet” Stiggers said in the release.

“It is vital that artists and songwriters are in charge of their own work, story, and message.”

In April, hundreds of artists and songwriters including Billie Eilish, Smokey Robinson and the estate of Frank Sinatra signed an open letter urging protections against what they called an “assault on human creativity” posed by artificial intelligence.

“We must protect against the predatory use of AI to steal professional artists’ voices and likenesses, violate creators’ rights, and destroy the music ecosystem,” read the letter, submitted by the non-profit Artist Rights Alliance.

© 2024 AFP

Citation:
Major music labels sue AI startups over copyright infringement (2024, June 26)
retrieved 26 June 2024
from https://techxplore.com/news/2024-06-major-music-sue-ai-startups.html

This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no
part may be reproduced without the written permission. The content is provided for information purposes only.





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